Mitchell Goodrich
Baltimore, MD
727.459.8820
mjitchell@gmail.com
Poster for 33 Teeth
Here’s the poster from a project I’ve just finished for Evan Robert’s short film 33 Teeth. I also made this quick site for the film! If your in Park City, Utah, go watch it at Slamdance today and Monday.

Poster for 33 Teeth

Here’s the poster from a project I’ve just finished for Evan Robert’s short film 33 Teeth. I also made this quick site for the film! If your in Park City, Utah, go watch it at Slamdance today and Monday.

 
Poster for Spiral Cinema
 
 
 

Two Short Papers

A flip-flop, double-zine, with two short papers from last semester. One side is The Gaseous Perception-Image in the Experimental Cinema of Belson, Conner, and Brakhage, and the reverse side is Measuring Uncle Boonmee’s Alignment with Thai National Cinema Through Comparison with The Wind Will Carry Us. 20 pages, plus an 11x17” double-sided poster.

 

Collages in August, 2011

 

A Personal Booklet for Note-taking

 
The Chattooga River

The Chattooga River

 
Artscape as Comparable to Archigram’s Instant City

Artscape as Comparable to Archigram’s Instant City

 
Burning Man and its Attendees

Burning Man and its Attendees

 
On the Long Absence of Henri Colpi

Thesis paper in zine format. Available for buy and trade at Get Lost.

Abstract:

To discuss the Left Bank group, of French New Wave cinema, is to take a leap into obscurity, but when the topic is approached, it should not be as further off as it currently is, to talk about Henri Colpi and his 1961 film Une aussi longue absence (The Long Absence). Though Colpi’s film won the Prix Louis-Delluc and, alongside Luis Buñuel’s Viridiana, the Palm d’Or, it has become largely forgotten and unobtainable in the U.S. (while Buñuel’s film is praised as one of the director’s best and is continually republished). This essay summarizes and examines Absence and compares the film to Viridiana and to better known Left Bank productions, in order to both understand the reasons for the popular neglect of the film and to argue that it be reconsidered. Further, that Colpi’s filmography as editor boasts work on Alain Resnais’ three earliest and most important films, shorts by every other Left Bank director, and Henri-Georges Clouzot’s innovative The Mystery of Picasso, delineates a more substantial relevance than he is currently accorded. Therefore, a discussion of Colpi’s contributions to editing matures into a conversation on his authority there and as director, and, while the briefness of his directorial catalog distances him from consideration as an auteur, how the content of his biography and of Absence defend his inclusion as a director of the New Wave, Left Bank group.

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American Outdoors

American Outdoors

 
Baltimore Symphony Orchestra

Baltimore Symphony Orchestra

 
Baltimore Boxing Club

Baltimore Boxing Club